The Radavist

Katja says, in Slovenia when a family has salad for dinner, they all eat from the same bowl. The bigger the family, the bigger the bowl. One person gathers vegetables from the garden– green leaves, fresh beans, tomatoes and cucumbers, onions and herbs. One person chops them up. One person dresses the salad with oil and vinegar, salt and pepper. One person tastes it to make sure it’s just right. They place the bowl in the middle of the table and everyone digs in with their own fork. There’s the usual family back and forth– who’s eating too fast, who’s picking out only the best parts, who’s pushing down too hard with their fork. When the vegetables are all gone, someone picks up the bowl and drinks the juice.

When I think of our route-building project in Slovenia for the upcoming 2023 Komoot Women’s Rally there, and all of the people that played a role, this story sticks with me.

For years the words “Bike Polo” have elicited, in my silly little noggin, some sort of barbaric mosh pit of hardcore/anarchist/fixie-skidding/male-presenting jousters, bloody-fresh shinners and maybe getting whacked by one of those croquette things being swung around like a Morgenstern circa 1490. A fight to the death on bikes. I grew up dancing ballet and racing BMX, forging me timid of sports balls and physical contact sports, in general. I had this unfounded bias that bike polo was too edgy and savage; like something I’d not ever try because of my aversion to sports where another human might hit you with a ball, a mallet, or heaven forbid, their own sweaty soul-sack. I imagined a lot of brute force and all-out thrashing: Steel bike frames colliding in explosive fashion inside of a cartoon fight cloud, mallets and balls flying from all directions, and me in the center with time standing still, going full-on Neo (The Matrix, 1999 film) from the saddle in an act of self-preservation.

I was wrong.

Single speed mountain biking. It’s kinda dumb right? How hard is it to shift a derailleur, c’mon.

Let’s not sully the holy sanctity of this article with such petty things as single speed arguments (for or against). What a cliché. If you’re new here, suffice it to say there are all sorts of reasons—from cost to curmudgeonliness to cache—to ride single speed mountain bikes. Those reasons don’t necessarily make sense. If you’re a regular reader, you already know how 1-speed bikes fit into today’s bike culture…enjoy your unsullied reading.

This article is about the bond shared by single speeders and how events like Single Speed USA (SSUSA) carry and strengthen them. I also want it to be about bikes as well, as I know more than a couple of people here might be into them.

Rezduro takes place in the remote community of Hardrock, Arizona which is located on the Black Mesa plateau/region on the Navajo Nation. What started out as a vision by Nigel James and friends has turned into the first and only Indigenous-led mountain bike enduro race. Nigel James dreamed of bridging his grandparents’ sheep herding trails with his passion for mountain bike enduro racing as a result, Rezduro was born in 2021. Rezduro is organized by Diné (the Navajo people) on Diné lands.

Oversized white t-shirts flapping listlessly between a great white softbox Welsh sky and endless hordes of casual, sunbathing daisies. Jersey pockets bulging with hard boiled eggs and gummy bears. Hushed whispers of chain ring print, oil tattooed cyclists entering a bird hide and unzipping Leica binocular cases. Nature’s comfortable chatter pauses incrementally to listen to the doppler shifting cacophony of a freewheeling Hope RS4 flying down a caution signed gradient. The Fforest Gran Ffondo must be, objectively, the finest road cycling event around right now.

Colorado has long been known for custom bicycles and talented framebuilders throughout the state. It’s also not a secret that our state has a high density of said talented builders within a short distance of each other. On Wednesday evening, a small group of custom bicycle brands gathered at New Terrain Brewing in Golden, Colorado.

Each framebuilder has probably their own relationship with the Concourse de Machines. Mine is not monochrome.

On the one hand, there is the excitement of creating a product with soul and sharing it with the framebuilding family. Our profession is “socially” atypical. It is at the same time very solitary: us and our ideas, our tools, the calm atmosphere of the workshop. And it is also inevitable to expose the brand/our work on social networks, the only lever to promote ourselves autonomously, without counting on the press. During the CDM contest, this too virtual sphere becomes the timespan of a few days entirely palpable and real. I find in the other framebuilders a sensitivity, convictions, a listening that it is hard to find in someone who did not go through the same choice of professional life as me. For many, it remains one. The contest is also about that: talking about our joys, our doubts, our desires, our difficulties, and that makes it very attractive to me.

On the other side, there is this shell that I try to put on myself since the frustrations felt during the CDM 2019. I had a bad experience putting so much soul into a project to feel pretty much unconsidered. Too young, too shy to show off, not enough in the good papers. So I take advantage of each edition to remind myself that we are doing this competition above all for ourselves, to continue to invent ourselves. The look of others is sometimes pleasant and often relevant, but it should not affect our own.

I couldn’t stop moving the day before Gravel Camp. I was so excited, so nervous, and full of jitters. For years this camp had been an idea; since last year it was a real goal; and for the past two months, it was practically a part-time job.

Together, my fellow organizers (and friends), and I planned a weekend bike summer camp for femme, trans, women, and non-binary (FTWNB) folks to build the skills, confidence, and community to adventure on their bikes. From all over the East Coast and as far as Colorado, campers were coming to New Haven, CT, to learn about bike mechanics, riding skills, and bikepacking — all while in a community with other Queer, BIPOC, and radically cool riders. After years of dreaming, it was finally here.

Saying we woke up would imply sleep, which is a luxury the night before the Concours de Machines race hadn’t afforded us, owing to thick black clouds of mosquitoes that infested our van. I lit a church of citronella candles and closed all the doors and windows, while Josh rolled himself up in a sheet and slept outside on a decrepit shezlongé that sat outside the factory. Mosquitos spent the night screaming and raging in our ears while doing their best to tear us limb from limb. At 4 am they sat lining the window sills, fat and bloated, drunk on our blood.

I killed a dozen of them with an old sock in one limp sleep-deprived swipe as a tokenistic act of vengeance, knowing they’d be saving their strength for another assault the next evening. I stood in Andreas’ elegant la fraise workshop contorting my body to scratch bites between nerve endings on my back, craving coffee as the pilotes clip clopped in on road shoes. For many of them, road shoes were a terrible choice. The 204km route billed as a road with some cobbles and gravel somehow encompassed 1466m of short sharp climbs in an oppressively pancake-flat landscape, as well as some muddy singletrack. The singletrack must have caught teams rolling on 28c slick tyres off guard, and would prove catastrophic for some.

This is the second of two reports from the 2022 Concours de Machines. Be sure to check here for the first installment!

In 2018 I was invited to take part in the third edition of Concours de Machines as Dear Susan, in the medieval town of Bruniquel in the south of France. The Concours is a recent(ish) revival of a frame-building contest first organized in 1903 that ran up to the late 1940s. It was traditionally hosted in different locations around France, the goal of which was to demonstrate the superiority of artisanal “constructeurs” and their machines, over production bikes.

Before accepting the invitation, there were some red flags for me. For instance the idea of “better;” how you can numerically score one bike against another, especially if they’re designed and made around a particular rider for a particular course? There’s so much that just comes down to preference! Reading further into the scoring system, the seemingly arbitrary categories actually became quite liberating, in that scores were given based on abstract criteria rather than what constituted a good or appropriate bike. Limitations included things like: “the bicycle must have wheels with tyres, and a system with which to steer,” as well as point scoring sections like: “the bicycle must be able to power its own lights and it must have bags to carry everything you need for an overnight trip.”

This is the first of two reports from the 2022 Concours de Machines. Be sure to check back tomorrow for the second installment!

The longest mountain bike trail in the world: OROGENESIS. It’s an idea now, but with your help we’re going to make it real. Ever since the early days of the Repack riders, mountain bikers have dreamed about a trail that spans the mountain ranges of the North American continent. Now, 40 years later, we’re building it. In 2016, the instantly popular Baja Divide bikepacking route landed on maps and, shortly afterward, the Oregon Timber Trail appeared as well. It was obvious that we needed to connect the two. Five years and five thousand miles later, here we are. A new way on old ground.

All year long, gravel races and events seem to pop up in towns across the US. With its approachability, it’s no surprise that “gravel” has become so popular with cyclists in disciplines spanning the continuum between mountain and road riding. IMO, the most successful of these races are the ones that embrace and exemplify the values and character of the communities in which they are based. Having lived in Fort Collins, CO for nearly fifteen years, the FoCo Fondo is a special one for me, as it shows off some of Northern Colorado’s incredible mixed surface riding with multiple expertly-curated routes while also fostering an inclusive and comfortable environment for a diverse group of riders.

A few weeks ago, at the tail end of a trip to the Choice City, I jumped in a course car with locals Peter Discoe and Taylor Kruse to document the event.

The Philly Bike Expo brings together folks from all over the country each year, many of whom have transformed the event into a gathering of some of the finest frame builders in the world. I’ve made a lot of friends over the years attending the show and documenting these awesome builders. While at the show in Philly, I often approach it with a mission in the back of my mind to bring good friends back to Johnstown, PA where I live. It’s a place that desperately needs more cycling culture.

A couple of years ago I did just that and, with fingers crossed, I sprung this question on Megan Dean of Moth Attack: “This bike is unreal, it’s truly a work of art, have you ever thought about teaching a frame-building class?” I think Megan said something like “Funny you should say that… I actually have been.” I responded by telling her that I have a friend in town with a special spot we could use called Center For Metal Arts. It’s filled with light, a fire, and the glow of forged metals most days of the week. Not familiar with CMA? No problem, read on.

FAIL 11 is the latest installment in Ryan Le Garrec’s multimedia “FAIL” series. Check out the related articles below for more of Ryan’s work.

Heading Southwest is a new bikepacking race in Portugal. It crosses the country with a set route of 1000 km and 15,000 meters of elevation gain. The route was designed to show the diversity of the country far from the clichés of coastal tourism and bigger towns. It showcases the country in a way only a local long-distance cyclist could provide. I have toured this beautiful place I call home for a while now, never have I had so much fun (and pain yeah) on the roads of this country. Massive thanks to David Cruz at finisterra.cc

A few weekends ago I found myself at Eurobike in its new Frankfurt übervenue. Eurobike has always been huge, but this year I was made acutely aware of the distances involved by the cab driver who dropped me off at the wrong entrance, and then charged an additional nine Euros for the 10-minute cab ride to the correct entrance. I bumped into another journalist who showed me her step count for the day, which prompted me to check mine, showing that I’d walked almost 60km or 40 miles of Shimano blue carpets over the space of two days. Shocking!