The Radavist

On November 1st, 2018 I rolled out to cover 1200 miles of the old Butterfield Overland Mail Route from San Francisco to Tucson, AZ. For almost a year prior the headlines had been dominated by news of things happening along America’s southern border. Child Separations. Immigration Caravans. National Guard deployments. On social media channels the rhetoric from all sides, which had already been getting increasingly strident, ramped up to a fever pitch. Normal conversations spiraled completely out of control. I found myself caught up in it all, furious at family members, friends, and strangers alike.

As though they’d joined a cult and made some kind of suicide pact, having seen none during the five hours of driving previous, perhaps thirty pheasants lay dead in the road over a quarter-mile3 stretch. What had happened on this quarter-mile stretch? Why here? It made me regret buying the rabbit, but without screeching to a halt on a frozen dual carriageway it wouldn’t have been practical to stop and collect them. Even at 70mph I could tell some were past their best and it’s rude to turn up empty-handed. I was on my way to visit Ted, so turning up with roadkill seemed to make sense. I was running late though and didn’t want to rely on road gifts so I picked up a wild rabbit wrapped in paper from our local butchers. It was a relief they had it because plan B was the pet shop.

I’d debated not going to visit Ted of Ted James Design and just compiling the stories people tell about him. The chronicles of SuperTed! The stories people tell can seem fairly fantastic, however, worryingly most of the time they’re true. I sometimes wonder how Ted is even alive? If I were more superstitious, I’d say his spirit was too big for his body and so it spends all of its time trying to get out. There’s something in his eyes like the sort of superintelligence and frustration a sheepdog has about being domesticated, as though any room that he’s in is somehow too small, so his eyes dance about searching for exits.

You know how a hashtag can fuck you? Well maybe not, but a few years ago my good friend Nic and I had this idea … we’d always been intrigued by the pans – or mud flats – of the Northern Cape here in South Africa. At the time we were really getting into riding fixed gear bikes and one day it hit us – let’s take our fixed gear bikes onto the pan! Why not? Surreal landscapes, super smooth surfaces good enough for world speed records! Sounds like a good adventure right? We did some research and found out that that year there was a South African Speedweek planned in September 2014 on the Hakskeenpan, coinciding with the launch of a planned rocket-propelled car land speed record attempt – the Bloodhound SSC. We decided to travel up in Nic’s old 1963 Porsche 356 – it seemed appropriate. Bikes on the roof, gear in the back.

Today on the Radavist, we’re featuring a bit of unobtainium. Those of you who might have heard about this brand before know that the first batch of frames already sold out. For those of you unfamiliar with Rangefinder, it’s a collaboration be Adam Sklar of Sklar Bikes, Hubert d’Autremont from Madrean Fabrication, and the painter Jonathan Pucci from Cicli Pucci. While the frames are gone, the process is what’s important and that process was documented with 35mm rangefinder cameras. We’re featuring the Mystic Project book which has over 100 images, slides, project text from Nicholas Haig-Arack, and final bike photos in a really special Reportage, so enjoy.

First things first, close your eyes and take 5 seconds to visualize what comes to mind when you think of Catalina Island… What do you see?

I got my first bike in 2010 and a few years later I was moving around four different cities, racing alleycats, road, cyclocross, MTB. I rode ultra distances along Route 66 and Translabrador Highway – the bike took me so many places, yet I began to realize I was looking for something I couldn’t find.

I’ve lost hours with a pen in hand staring at the empty page in a notebook. A cursor on a vacant screen blinking, daring me to try and recount our days from Pittsburgh to D.C. without a single mention of Covid. Alas, I couldn’t even make it two sentences without avoiding the dreaded C word, and rightfully so. Covid-19 and the pandemic we are currently in the grips of have dictated all aspects of our daily lives and certainly dictated this trip’s timing. Without Covid, the three of us would likely have been on the road in some capacity or other. Steph has been touring with bands big and small, managing their merchandise sales. Ed has been a touring musician for the better part of six years and was getting ready to embark on another tour just before the pandemic striking. As for myself, I would have oddly enough found myself in Washington, D.C., just the same, camera in hand, shooting the annual DCCX race.

Alaskan summer energy, at its height, seems endless. You don’t need lights because the sun never sets. Schedules are mostly irrelevant— ride late, sleep in, take breaks, or never stop. It’s all possible.

Then the dark starts eating into the day. In late August, we start losing minutes that cumulate into hours over weeks. It’s hard to adjust. Night returns. And maybe that’s part of what makes it so special. That fleeting feeling of freedom that leaves, but not forever.

Last year in May 2019 Dan and I left Santa Monica, CA on a cold rainy day to start pedaling to New York. Dan had this goal of riding across the country a few years ago after we had done some shorter bike touring trips together. I didn’t want to do this ride at all when he initially brought it up.

Andrew stops mid-sentence, pauses, “ooooooh!…….. Oooooh…. oooooh!” his pitch rises to a maniacal school child giggle of surprise and wild childlike delight, like a two-year-olds first taste of cake. Visceral and uncontrollable joy. “Tom!?! Is this a prototype or is this a FUCKING!…. ok…. That’ll do it!” a long pause of wild-eyed observation glancing desperately around the room, eyes hungry for an affirming reaction but forced to settle for Tom’s grinning but nonchalant response of “yea, they’ve gotten lighter as well”. Another longer pause as dust from Tom’s stoic “yogi bear” response settles, a mumbled and affectionate “asshole.” The recording tapers off into minor expletives, mumblings, and the low noises people make to indicate affection for bits of metal when they’re together in sheds.

While I can’t recall when the seed of this idea was planted, by early spring our plan to escape the reality of 2020 by riding from San Francisco to San Diego was beginning to take root. The year had started upbeat as I’m sure is the case for most people at the beginning of most years, but before long it took a hard turn in the other direction. Starting with a whiplash-inducing breakup that led to moving back to my parents’ house outside of Denver; those events seem small now in the context of everything that followed. As Covid 19 swept the planet and most of humanity began to shelter in place, our collective grief and anxiety began to feel like the status quo. As the days passed at a glacial pace (that was somehow simultaneously lightning fast), the snow in Colorado melted and this idea began to sprout as the earth began to thaw. At the same time, my best friend was dealing with his own lockdown situation down in Baja. Lorenzo had moved down to Ensenada late in 2019 to open a Gelato place (appropriately named “El Gelato”) and was absolutely killing it in the gelato game, helped in no small part to being probably the only gelateria in all of Baja. But when Covid hit, it hit hard and the dusty little town he was calling home completely shut down. With nowhere to go and nothing to do, I started receiving regular text messages from him about riding away from all this bullshit.

Recently, the Navajo Nation reinstated a 57-hour weekend lockdown due to the spikes in COVID in several communities. This put a hold on our first official Dzil Ta’ah Adventures youth bikepacking series outing in Nazlini, which was originally slated for September 26th. Once the lockdown is lifted, which we hope will be soon, we will proceed as planned with the Dine Composite participants. With the postponement of our first trip, we felt like this was an opportunity to leverage the extra time and continue to shape our mentorship program and build more of my team’s dexterity with an outing in John’s Canyon, Utah, at the southwestern base of Cedar Mesa.

1.25 million years ago, a volcanic event occurred just 40 miles northwest of what is now called Santa Fe, New Mexico. A large reservoir of magma was emptied as lava erupted from the earth’s crust, causing a massive depression. Upon this collapse, a 13-mile wide caldera in the middle of the Jemez Mountains was formed.

This area is the Valles Caldera National Preserve and is America’s newest National Preserve. The best part about the Valles Caldera is currently, due to the pandemic, it’s open to cycling and closed to automobiles and if bike fishing is your thing, it’s also free to fish, pending a New Mexico Fishing License and a free VCNP fishing permit.

We’ve got a great loop for you to check out that crosses this expansive caldera and brings you right up to some prime cut bank fishing. Check it out in this gallery from our ride in September.

As someone who tends to spend seven months out of the year on the road, away from home, 2020 has been a welcomed change, albeit with some major adjustments. Stay at home orders in New Mexico are some of the strictest in the United States and this forced me to look to my new home state for rides and trips. Suddenly, I found myself living at the threshold of beautiful high-country riding with endless possibilities for bicycle touring and mountain biking. To put it mildly, my relocation to Santa Fe has opened up a whole world of opportunity.

It took me a while to adjust to living at 7,000′ and a big part of that adjustment has been facilitated by riding with my fast and fit friend, Bailey Newbrey. Bailey’s accolades need no introduction here and it should be no surprise to any of you that he is an incredible rider. He’s so fast that I jokingly refer to him as the “mountain trout on two wheels.”

HIGH STEEP BROKEN MOUNTAINS:  Riding in Threatened Central California Coast Public Land that lost protection to drilling and fracking upon the moratorium lift in December 2019, routing through the Cuyama Valley and Sierra Madre Ridge through Bates Canyon, Santa Barbara Canyon, and Quatal Canyon.

In what I hope will be the first of many monthly(ish) articles, of varying lengths, Nikolai and I visited (in)famous bicycle designer Mike Burrows, who has been a constant in terms of support, inspiration and taking me down a peg or two when I need it (always). Nikolai filmed our trip on my Sony A7iii as part of an ongoing project, so I decided it would be especially fitting for Mike to document our trip on celluloid with my Mamiya C330, and a little Olympus rangefinder on Kodak Portra 800 film.

THERE IS A DISTINCT SHARPNESS in the Sunday morning Andean air as José Villegas plucks a tiny coffee shoot from the ground, barely as tall as an espresso cup. Looking out over the valley on the edge of the steep slope, the setting is idyllic, like something from a late 20th-century film epic. Dressed in little more than slippers, gym shorts, and a t-shirt, he studies the greenery carefully nestled in his palm, nods in approval, and continues scouting the steep slope around him for other shoots. His son, Juan Pablo, explains that this is how his father propagates new coffee plants on the farm, eschewing the far more common method of using commercial seeds. It keeps the fields GMO-free, organic, and high-quality. This is single-origin coffee grown at the perfect altitude (1800m/6000ft), something prized the world over. Everything on the farm is done mostly by hand. There are no chemical fertilizers or pesticides. The family has been farming like this “from the beginning”, José explained, not because it was popular, but because it was the right way to do things. The only way.

The journal entry following my first bike trip reads: “Why does recording life events feel so vital? Because memories can’t be trusted to stay in place. Because in their wake remains the shadowy outlines of phantom feelings—forms so great and vague that we long to recall the experiences that gave them flesh and weight. Okay. Bike trip.” On the next page I taped five sheets of 3×5 pages, carefully ripped from the pocket journal that I carried with me on the bike. I did this for the sake of chronology in my journaling, so that all of my day-to-day reflections remained bound together, in order, but in leafing through the past, I enjoy the three-dimensional quality that my inserted notes lend to the entry.